The Nuhanovic Foundation

My Journey To Justice

Alaa Abdel Qader

Hanna Vorosheva 

49 years old 

Resident of Mariupol, Ukraine 

Decorator, florist, and founder of an event decoration company

On February 24, 2022, a full-scale war broke into the lives of Ukrainians. And the residents of Mariupol found themselves blocked in a city that in the first days was without electricity. Without communication, without water, without heat, and 500,000 residents were left alone with cold, hunger and bombing.

Before the war, Hanna Vorosheva lived in Mariupol. She describes herself as a businesswoman, running a flower shop and an event decoration company. She had raised her daughter through university, loved to travel, had hobbies and friends, and felt that her life was on track. “I was an adult woman who had her life planned out… I lived a happy, fulfilling life. Overall, I was someone who worked hard and had a clear vision for the future.”

Hanna was a businesswoman in Mariupol, running a flower shop and an event decoration company.

That life was upended by the Russian invasion. During these terrible days, Hanna joined the self-organised volunteer centre “Halabuda”, where she was in charge of the medical supply warehouse. On March 16, 2022, Hanna managed to leave Mariupol and evacuate seven people. With her own funds and donations from supporters, she purchased minibuses and food, and gathered medicines and other essentials. She then undertook the dangerous task of organizing and delivering everything to the besieged city.

During one of these missions, she was detained by Russian forces and accused of terrorism. They placed her in the Yelenov colony. That’s how she became a prisoner of war. 100 days without hope for freedom, 100 days in a cold prison cell, in the dirt. Disenfranchised, cut off from the world and her family, 100 days of captivity. She speaks of that period as a test of survival. “I am someone who saved my own life and the lives of many others. I spent my own money to do the work that my country, which had promised to protect me as a citizen, should have done.”

Hanna recalls how prisoners tried to pass messages to loved ones outside.

During captivity, communication was scarce and dangerous. Hanna recalls how prisoners tried to pass messages to loved ones outside. “We would write things like, ‘If it’s possible, we will send a note,’ or ‘Could someone please send cigarettes.’ The price of writing one of those notes in captivity was high.” Scraps of paper were torn from old books, writing tools had to be found, and someone had to be brave enough to carry the message past the guards.

These small notes carried immense weight. “Sometimes they were requests, sometimes words of thanks. We also wrote down phone numbers and kept secret lists. If someone was lucky enough to be released, they could call those numbers and tell families that their loved ones – a child, a husband, a relative – were still alive. Those were very fragile, very sensitive moments.”

For Hanna, the idea of justice feels abstract.

For Hanna, the idea of justice feels abstract. She reflects on it as something often used by governments as a concept rather than a practice. “Justice feels like a philosophical and manipulative concept, something the government uses to create an illusion of safety for society. In reality, our lives are in our own hands, yet we are not all-powerful and depend on many factors.”

She explains that during her work no organisation helped her. Instead, it was individuals who made a difference. “No organisations helped me. The only support came from a media platform and journalists. Ordinary citizens donated directly from their own bank accounts. It was people who opened their hearts, who cared about the fate of others – they were the ones who truly helped.”

Her reflections on justice are shaped by lived experience. She describes how even in countries that call themselves democratic, vital information is hidden or inaccessible. She gives the example of benefits for mothers, children, or the elderly – rights that exist but that citizens must actively discover for themselves. “Somewhere along that path, you realise you’ve already paid for those rights, but you still cannot access them.”

Hanna says her search for justice is not finished.

But her search for justice is not over yet. “My journey towards justice is not finished, I am still searching for it. I believe justice and accountability will only begin when the government, as the guarantor of order in the country, takes responsibility and provides citizens with clear information about the organisations, services, and forms of support it has created for us as citizens and taxpayers. Only then will it feel like true justice – for me, for elderly people, for children growing up here, and for every other part of the population. That would be a good start. Without this transparency, I feel as though I am at the bottom of the mountain, unable to see what is really happening at the top.”

Looking to the future, Hanna speaks of hope and responsibility. “Atrocities have happened, are happening, and, unfortunately, will continue to happen. Once again, it comes down to accountability. It requires open minds, open eyes, and open hearts. We cannot close our eyes to what is happening, and we cannot ignore it – it will not disappear on its own.”

For Hanna, survival is only the beginning. She wants understanding, accountability, and recognition.

Hanna also reflects on what she hopes to see in the Netherlands and across Europe. “I have a deep hope that Dutch society will accept that we are a worthy part of the community, and that they will begin to trust us more. Every society, every country, and every group of people exists under the basic laws of humanity. If we want society to have hope, we must give hope.”

For Hanna, survival is only the beginning. She wants understanding, accountability, and recognition. “I often hear the words, ‘But you stayed alive.’ Yet just being alive is not enough. I hope the Dutch people will understand why Ukrainians don’t smile as often, and I hope that one day we will be able to again. We just need more time, and in time, we will learn how to smile once more.”

About The Photographer

Hanna Hrabarska is an independent Ukrainian photographer, artist, and educator, now based in Amsterdam. She holds a Master’s in Journalism from the National University Kyiv-Mohyla Academy. She has worked across personal projects, editorial photography, advertising, and portraiture, as well as teaching photography through the online school SKVOT. Hanna’s work addresses the impact of war on civilians, displacement, and memory. Her ongoing project My Mom Wants to Go Back Home documents the displacement of her family following the 2022 invasion of Ukraine. Her work has been published in Die Zeit, Vogue, Forbes, Cicero, and NRC, and exhibited in Europe and the United States.

Justice 
From War to Democracy and Freedom

Our latest initiative, a storytelling campaign titled Justice: From War to Democracy & Freedom, showcases the real-life experiences of survivors and victims of international crimes and grave human rights violations. At the heart of this campaign are the survivors themselves, the faces, voices, and stories behind these precedent-setting legal battles, which will be brought to life through a series of survivor portraits captured by acclaimed photographers. Through these portraits, our goal is to make the resilience, courage, and pursuit of justice of these individuals tangible, urgent, and deeply relatable.

Photography by Sakir Khader | 2025

When Alaa Abdel Qader recounts the night of 2–3 June 2015 in Hawija, northern Iraq, his words are measured yet carry the weight of trauma that has shaped his life ever since.

Once a thriving city with bustling markets, workshops, and families building their futures, Hawija was under ISIS control by 2014. Freedom of movement disappeared, the local economy collapsed, and fear became an uninvited constant in every household.

On the night of 2–3 June 2015, Hawija was subjected to aerial bombardment by Dutch F-16 aircrafts. The airstrike hit its mark, an industrial building used by ISIS to manufacture vehicle-borne improvised explosive devices, detonating a massive stockpile of explosives and triggering a secondary explosion of unimaginable scale. The explosion created shockwaves with a diameter exceeding 5 kilometers, and was felt as far away as Kirkuk, approximately 50 kilometers from Hawija. Registering at 4.3 on the Richter scale, the bombing claimed the lives of at least 85 civilians and caused extensive damage to 6000 residences, 1200 commercial establishments in the vicinity, and the destruction of vital governmental structures and community infrastructure. The strike on Hawija ended up being one of the deadliest airstrikes carried out by the international coalition against ISIS in Iraq.

Alaa’s world, along with that of his neighbours, changed in an instant. “We were used to the sounds of bombs,” he recalls. “But this one… it destroyed our future.”

His family lived just over a kilometre from the site, and the shockwaves demolished their home and stores. Alaa’s wife was heavily injured in her back by shrapnel. His then five-year-old son, Abdulmalek, was hit by falling debris and became blind in his right eye. “His eye was bleeding,” Alaa remembers. “The doctor told me a piece of metal had destroyed his pupil.” 

Alaa with his son Abdulmalek, who lost sight in his right eye after being hit by falling debris caused by the strike.

Alaa himself sustained injuries to his leg, and his family’s livelihood vanished overnight. “I owned two wholesale stores for women’s products,” he says. “Both stores were destroyed, along with all the furniture and merchandise. Everything I worked for, all the years of building a life for my children, vanished in a single moment. We didn’t just find it on the streets, we earned it through decades of hard work.”

Despite the immense loss, Alaa expresses no anger toward the Dutch government. “The problem was not the Dutch people or the planes,” he emphasizes. “The fault lies with ISIS, they occupied our land, and they created the conditions for this tragedy. But still, the impact on our lives is immense. Our home, our shops, our future, are all gone.” In recent years, the Dutch government has acknowledged the extensive civilian harm in Hawija, following the findings of the independent Sordrager Commission, which confirmed the scale of destruction and urged greater transparency and accountability in military operations. While an official apology or comprehensive reparations have yet to be delivered, the recognition of their loss represents a step toward justice.

After a perilous journey through Turkey and Greece, Alaa and his five children eventually arrived in the Netherlands. Yet life has remained difficult. Living in Terneuzen, far from the hospitals where he and his family continue to receive treatment for injuries from the bombardment, Alaa navigates daily challenges. His son and wife’s ongoing health issues require regular care, and the distance complicates their access to essential medical services. For Alaa and his family, reparations are not only about financial redress but also about the opportunity to rebuild their lives, to recover, heal, and regain a sense of stability in the aftermath of loss.

Even years later, Alaa follows news from Hawija closely. He hopes for accountability, reconstruction, and recognition of the lives disrupted by the airstrike. “We ask for compensation from the Dutch,” he says. “For the injuries, and for everything we lost. This is not just about money, it’s about justice. It’s about showing that our suffering matters, that our work and dreams were not meaningless.”

And yet, despite the trauma, Alaa remains remarkably resilient and life-affirming. “I am lucky,” he reflects. “My family survived. Many families in Hawija lost everyone. We are still here. We still hope. We still believe that someone must stand up for what is rightfully ours.”

The Nuhanovic Foundation has sought to bridge the gaps left in the aftermath of the bombing. By supporting legal representation and facilitating the active participation of survivors in ongoing legal proceedings in the Netherlands, the Foundation has ensured that voices like Alaa’s can be heard in a courtroom, a space where their experiences finally gain recognition.

“Justice matters,” Alaa says firmly.

“Not just for me, but for all families in Hawija. People need to hear our story. People need to understand the injustice we endured. Only then can accountability and real change begin.”

About The Photographer

Sakir Khader is a Palestinian documentary photographer and film director based in the Netherlands.

His main focus is the relation between life and death in conflict zones, especially across the Middle East. Known for his raw yet intimate cinematic signature style, Sakir always seeks to illuminate the poetic sorrows of everyday life.

Justice 
From War to Democracy and Freedom

Our latest initiative, a storytelling campaign titled Justice: From War to Democracy & Freedom, showcases the real-life experiences of survivors and victims of international crimes and grave human rights violations. At the heart of this campaign are the survivors themselves, the faces, voices, and stories behind these precedent-setting legal battles, which will be brought to life through a series of survivor portraits captured by acclaimed photographers. Through these portraits, our goal is to make the resilience, courage, and pursuit of justice of these individuals tangible, urgent, and deeply relatable.

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